As Dawkins explains in it’s opening, the title of chapter 8 is in reference to an alleged encounter between J.B.S. Haldane and an evolution denier, just after Haldane delivered a public lecture. Haldane was an early geneticist and evolutionary biologist, considered a leading architect of modern evolutionary theory. Haldane responded to the evolution denier’s incredulity at the unguided development of complex bodies from simple cells over millions of years by stating, “But madam, you did it yourself. And it only took you nine months.”
The knee-jerk reply to such a comparison between evolution and embryology, is that an embryo is very much guided by the “instructions” found in DNA. This is simply untrue in a very important sense, and Dawkins takes time to explain why.
The temptation to compare living things to artifacts produced by living things is great, as with Paley’s famous Watchmaker argument. The appearance of design, so say creationists, is the signature of a designer. But there are many complex things that occur in nature which have no architect, no intent, no plan. Here Dawkins discusses top-down versus bottom-up design. Top-down design begins with a plan, a final product in mind, and instructions follow a path which leads to this final product. This is how truly designed artifacts are built, such as watches and cathedrals. But in bottom-up design there is no plan- there are processes at work, guided only by simple, local rules. There used to be a myth that some medieval European cathedrals were built without architecture- that carpenters and masons came together and each worked their own trade, until finally a cathedral emerged. This would be an example of bottom-up design.
Of course the cathedral example of bottom-up design seems absurd, but this very method is responsible for insect nests and embryos. This is counterintuitive to what we know about creation and design, but it is in fact what is observed in the development of many artifacts of nature. Dawkins uses a familiar phenomenon to illustrate this bottom-up organization: the spectacular flocking patterns of starlings. We have all seen footage of these birds moving through the air in huge numbers, darting and wheeling as if their dance was choreographed and rehearsed. But of course their is no choreography, no intention, no top-down design. These birds are only following local rules, and the organization, structure and coordination- the “dance”- emerges as a by-product of this process.
Dawkins reviews a few analogies for embryology (a recipe, sculpting, tailoring, factory-line assembly) and discusses why these do not analogize well the process. Dawkins arrives at his favored analogy among human contruction techniques: origami. When one creates origami, it is generally by following one step at a time a set of rules which seem to have no connection with the end product- and this is perhaps the most fascinating feature of origami. Through simple steps, and without any knowledge of what or how each step contributes to the end product, one can create ornate artifacts.
As with any analogy, the origami analogy has it’s shortcomings and is not a perfect parallel to embryological development. Two things Dawkins mentions is the necessity of human hands for origami, and the fact that it has the same mass at every stage. In embryology, cells divide and add to the overall size of the embryo, and they fold automatically, all according to local rules. Dawkins provides a brief description of the process here, in his characteristically concise way which make his books worth reading: cells dividing an folding, genes influencing proteins and other genes, hormone mediators, and a cascade of these and numerous other effects which all follow simple rules that culminate in a complex embryo without the advantage of foresight or an end-product in mind.
I will not attempt to summarize the process. The mere existence of a natural, bottom-up design process and the complexity that emerges from it is strong evidence of the naturalistic explanation for how evolution occurs. We have learned of the time available for evolution to occur, the malleability of life forms, the evidence of gradual change over time, the observable effects of natural selection in present time, and it’s ability to produce novel features. Chapter 8 has shown us that a natural process is not only sufficient to explain evolution, but that such a process is at work in various current natural events, able to produce the spectacular complexity found in living embryos.
Up next, an exploration of plate tectonics in Chapter 9: “Ark of the Continents”.

So far we’ve learned something about selection and the variation it is capable producing, and we’ve learned of the staggering amount of time available for evolution to occur. We’ve inferred a long history of evolution from the fossil record record, which provides a clear and (so far) flawlessly consistent gradient of forms from simple beginnings to the breathtaking complexity and diversity of late (the evidence for which we will return to). Dawkins now turns to the evidence that evolution is happening “Before Our Very Eyes”.